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Tina Turner

American-born singer, dancer, actress, and author; naturalized Swiss citizen

Top 10 Tina Turner related articles

Tina Turner
Tina Turner performing at the National Indoor Arena in Birmingham, England, in April 2009
Born
Anna Mae Bullock

(1939-11-26) November 26, 1939 (age 81)
CitizenshipUnited States (1939–2013)
Switzerland (2013–present)
Occupation
  • Singer
  • songwriter
  • dancer
  • actress
Years active1957–2009,[2] 2020[3]
Spouse(s)
(m. 1962; div. 1978)

Erwin Bach
(m. 2013)
Children4[4]
RelativesAlline Bullock (sister)
Afida Turner (daughter-in-law)
Eugene Bridges (first cousin once removed)[5]
AwardsFull list
Musical career
Genres
InstrumentsVocals
Labels
Associated acts

Tina Turner (born Anna Mae Bullock; November 26, 1939) is an American-born singer, songwriter, and actress, who is currently a naturalized citizen of Switzerland. Referred to as the "Queen of Rock 'n' Roll", she rose to prominence as the frontwoman of Ike & Tina Turner before launching a successful career as a solo performer.

Turner began her career with Ike Turner's Kings of Rhythm in 1957. Under the name Little Ann she appeared on her first record, "Boxtop", in 1958. In 1960, she was introduced as Tina Turner with the hit single "A Fool in Love". The duo went on to become "one of the most formidable live acts in history".[6] They released hits such as "It's Gonna Work Out Fine", "River Deep – Mountain High", the Grammy-winning "Proud Mary", and "Nutbush City Limits" before disbanding in 1976.

In the 1980s, Turner launched "one of the greatest comebacks in music history".[7] Her 1984 multi-platinum album, Private Dancer contained her hit song "What's Love Got to Do with It", which won the Grammy Award for Record of the Year, and it became her first and only No.1 on the Billboard Hot 100. At age 44, she was the oldest female solo artist to top the Hot 100.[8] Her chart success continued with "Better Be Good to Me", "Private Dancer", "We Don't Need Another Hero (Thunderdome)", "Typical Male", "The Best", "I Don't Wanna Fight", and "GoldenEye". During her Break Every Rule World Tour in 1988, she set a then-Guinness World Record for the largest paying audience (180,000) for a solo performer.[9] Turner also acted in the films Tommy (1975), Mad Max Beyond Thunderdome (1985), and Last Action Hero (1993). In 1993, What's Love Got to Do with It, a biopic adapted from her autobiography I, Tina: My Life Story, was released. In 2009, Turner retired after completing her Tina!: 50th Anniversary Tour, which is one of the highest-grossing tours of all time.

Having sold over 100 million records, Turner is one of the best-selling recording artists of all time. She has received 12 Grammy Awards, which include eight competitive awards, three Grammy Hall of Fame awards, and a Grammy Lifetime Achievement Award. She was the first black artist and first female to be on the cover of Rolling Stone. Rolling Stone ranked her among the 100 Greatest Artists of All Time and the 100 Greatest Singers of All Time. She has a star on the Hollywood Walk of Fame and the St. Louis Walk of Fame. She was inducted into the Rock and Roll Hall of Fame with Ike Turner in 1991, and is a 2005 recipient of the Kennedy Center Honors. A resident of Küsnacht since 1994, she relinquished her American citizenship after obtaining Swiss citizenship in 2013.[10]

Tina Turner Intro articles: 37

Early life

Tina Turner was born Anna Mae Bullock on November 26, 1939,[a][11] in Brownsville, Tennessee,[1][12][13] the youngest daughter of Zelma Priscilla (née Currie) and Floyd Richard Bullock.[1][14] The family lived in the nearby rural unincorporated community of Nutbush, Tennessee, where her father worked as an overseer of the sharecroppers at Poindexter Farm on Highway 180; she later recalled picking cotton with her family at an early age.[15][16] When she participated in the PBS documentary African American Lives 2 with Dr. Henry Louis Gates, he shared her DNA estimates, which were predominantly African, approximately 33% European and only 1% Native American. Turner had previously believed that she had a significant amount of Native American ancestry.[17][18]

Bullock had two older sisters, Evelyn Juanita Currie and Ruby Alline Bullock. As young children, the three sisters were separated when their parents relocated to Knoxville, Tennessee, to work at a defense facility during World War II.[16] Bullock went to stay with her strict, religious paternal grandparents, Alex and Roxanna Bullock, who were deacon and deaconess at the Woodlawn Missionary Baptist Church.[19][16] After the war, the sisters reunited with their parents and moved with them to Knoxville.[16] Two years later, the family returned to Nutbush to live in the Flagg Grove community, where Bullock attended Flagg Grove Elementary School from first through eighth grade.[20][21]

As a young girl, Bullock sang in the church choir at Nutbush's Spring Hill Baptist Church.[22][23] When she was 11, her mother Zelma ran off without warning, seeking freedom from her abusive relationship with Floyd by relocating to St. Louis in 1950.[24] Two years after her mother left the family, her father married another woman and moved to Detroit in 1952. Bullock and her sisters were sent to live with their maternal grandmother, Georgeanna Currie in Brownsville, Tennessee.[24] Turner stated in her autobiography I, Tina that she felt her mother had not loved her, that she "wasn't wanted", and that her mother had planned to leave her father when pregnant with her.[25] "She was a very young woman who didn't want another kid," Turner wrote.[25][26]

As a teenager, Bullock worked as a domestic worker for the Henderson family. She was at the Henderson house when she was notified that her half-sister Evelyn died in a car crash alongside her cousins Margaret and Vela Evans.[27] A self-professed tomboy, Bullock joined both the cheerleading squad and the female basketball team at Carver High School in Brownsville, and "socialized every chance she got".[15][24] When Bullock was 16, her grandmother died, so she went to live with her mother in St. Louis. She graduated from Sumner High School in 1958.[28] After her graduation, Bullock worked as a nurse's aide at Barnes-Jewish Hospital.[29]

Tina Turner Early life articles: 23

Ike & Tina Turner

Origins: 1957–1960

"I would have been lost in my life at that point without him. I mean, I could do two things: work in a hospital or sing in Ike's band. I didn't know anything else. Or anyone else. And I wanted to sing."

— Tina Turner (1986)[30]

Bullock and her sister began to frequent nightclubs in St. Louis and East St. Louis.[24] She first saw Ike Turner perform with his band the Kings of Rhythm at the Manhattan Club in East St. Louis.[24] Bullock was impressed by his talent, recalling that she "almost went into a trance" watching him play.[30] She asked Turner to let her sing in his band despite the fact that few women had ever sung with him.[23] Turner said he'd call her but never did.[31] One night in 1957, she got hold of the microphone from Kings of Rhythm drummer Eugene Washington during an intermission and she sang the B.B. King blues ballad, "You Know I Love You".[32][33] Upon hearing her sing, Turner asked her if she knew more songs. She sang the rest of the night and became a featured vocalist with his band.[34][35][36] During this period, he taught her the finer points of vocal control and performance.[34] Bullock's first recording was in 1958 under the name Little Ann on the single "Boxtop". She is credited as a vocalist on the record alongside Ike and fellow Kings of Rhythm singer Carlson Oliver.[37]

In 1960, Turner wrote "A Fool in Love" for singer Art Lassiter. Bullock was to sing background with Lassiter's backing vocalists, the Artettes. Lassiter failed to show up for the recording session at Technisonic Studios.[38] Since Turner already paid for the studio time, Bullock suggested to sing lead.[39][40] He decided to use her to record a demo with the intention of erasing her vocals and adding Lassiter's at a later date.[40][34] Local St. Louis disc jockey Dave Dixon convinced Turner to send the tape to Juggy Murray, president of R&B label Sue Records.[41][42] Upon hearing the song, Murray was impressed with Bullock's vocals, later stating that "Tina sounded like screaming dirt. It was a funky sound."[42] Murray bought the track and paid Turner a $25,000 advance for the recording and publishing rights.[42][43][44] Murray also convinced Turner to make Bullock "the star of the show".[44] Turner responded by renaming her "Tina" because it rhymed with Sheena;[42][45] however, family and friends still called her Ann.[46][37] He was inspired by Sheena, Queen of the Jungle and Nyoka the Jungle Girl to create her stage persona.[47][27] Turner added his last name and trademarked the name as a form of protection, so that if Bullock left him like his previous singers had, he could replace her with another "Tina Turner".[48] Bullock's introduction to the public as Tina Turner began with the release of "A Fool In Love", which became a hit single.[49]

Early success: 1960–1965

Turner in 1970

The single "A Fool in Love" was released in July 1960 and became an immediate hit, peaking at No. 2 on the Hot R&B Sides chart and No. 27 on the Billboard Hot 100. Journalist Kurt Loder described the track as "the blackest record to ever creep into the white pop charts since Ray Charles's gospel-styled 'What'd I Say' that previous summer."[42][50] Another single from the duo, "It's Gonna Work Out Fine", reached No. 14 on the Hot 100 and No. 2 on the R&B chart in 1961, earning them a Grammy nomination for Best Rock and Roll Performance.[51] Notable singles released between 1960 and 1962 included the R&B hits "I Idolize You", "Poor Fool", and "Tra La La La La".

After the release of "A Fool in Love", Ike created the Ike & Tina Turner Revue, which included the Kings of Rhythm and a girl group called the Ikettes as backing vocalists and dancers. He remained in the background as the bandleader. Ike put the entire revue through a rigorous touring schedule across the United States, performing 90 days straight in venues around the country.[52] During the days of the Chitlin' Circuit, the Ike & Tina Turner Revue built a reputation as "one of the most hottest, most durable, and potentially most explosive of all R&B ensembles", with its show rivaling that of the James Brown Revue in terms of musical spectacle.[53] Due to their profitable performances, they were able to perform in front of desegregated audiences in southern clubs and hotels.[54]

Between 1963 and 1965, the band toured constantly and produced moderately successful R&B singles. Turner's first credited single as a solo artist, "Too Many Ties That Bind"/"We Need an Understanding" was released from Ike's label Sonja Records in 1964.[55][56] Another single by the duo, "You Can't Miss Nothing That You Never Had", reached No. 29 on the Billboard R&B chart. After their tenure at Sue Records, the duo signed with more than ten labels during the remainder of the decade, including Kent, Cenco, Tangerine, Pompeii, A&M, and Minit.[37][57] In 1964, they signed with Loma Records, a subsidiary of Warner Bros. Records which was run by Bob Krasnow. Krasnow became their manager shortly after they left Sue Records. On the Warner Bros. label they achieved their first charting album with Live! The Ike & Tina Turner Show, peaking at No. 8 on the Billboard Hot R&B LPs chart in February 1965.[58] Their singles "Tell Her I'm Not Home" released on Loma and "Good Bye, So Long" released on Modern Records were top 40 R&B hits in 1965.[59]

Turner's own profile was raised after several solo appearances on shows such as American Bandstand and Shindig!, while the entire revue appeared on Hollywood A Go-Go. In 1965, Phil Spector attended an Ike & Tina Turner's show at a club on the Sunset Strip, and he invited them to appear in the concert film The Big T.N.T. Show.[60]

Mainstream success: 1966–1975

Impressed by the duo's performance on The Big T.N.T. Show, Phil Spector was eager to produce Turner.[61] Working out a deal with Ike & Tina Turner's manager Bob Krasnow, who was also head of Loma, Spector offered $20,000 for creative control over the sessions to produce Turner and have them released from their contract with Loma.[62][12] They signed to Spector's Philles label in April 1966 after Turner had already recorded with him.[63] Their first single on his label, "River Deep – Mountain High", was released in May 1966. Spector considered that record, with Turner's maximum energy over the "Wall of Sound", to be his best work.[64] It was successful overseas, reaching No. 3 on the UK Singles Chart and No. 1 on Los 40 Principales in Spain,[65] but it failed to go any higher than No. 88 on the Billboard Hot 100.[66] The impact of the record gave Ike & Tina Turner an opening spot on the Rolling Stones UK tour in the fall of 1966.[30] In November 1967, Turner became the first female artist and the first black artist to appear on the cover of Rolling Stone magazine.[67][68]

The duo signed with Blue Thumb Records in 1968, releasing the album Outta Season in 1969. The album produced their charted cover of Otis Redding's "I've Been Loving You Too Long". Later that year they released The Hunter. The title track, Albert King's "The Hunter" earned Turner a Grammy nomination for Best Female R&B Vocal Performance.[51] The success of the albums led to the revue headlining in Las Vegas where their shows were attended by a variety of celebrities including David Bowie, Sly Stone, Janis Joplin, Cher, James Brown, Ray Charles, Elton John, and Elvis Presley.[69]

Turner performing on stage at Tulane Stadium in October 1970

In the fall of 1969, Ike & Tina Turner's profile in their home country was raised after opening for the Rolling Stones on their US tour.[12] They gained more exposure from performances on The Ed Sullivan Show, Playboy After Dark, and The Andy Williams Show.[70][71][72] The duo released two albums in 1970, Come Together and Workin' Together.[37] Their cover of "I Want to Take You Higher" peaked at No. 34 on the Hot 100 whereas the original by Sly and the Family Stone peaked four numbers below that position.[59] The Come Together and Workin' Together albums marked a turning point in their careers in which they switched from their usual R&B repertoire to incorporate more rock tunes such as "Come Together", "Honky Tonk Woman" and "Get Back".[12]

In early 1971, their cover of Creedence Clearwater Revival's "Proud Mary" became their biggest hit. The single reached No. 4 on the Hot 100 and sold more than a million copies, winning them a Grammy for Best R&B Performance by a Duo or Group.[73][74][75] In July 1971, their live album, What You Hear Is What You Get, was released. It was recorded at Carnegie Hall and became their first certified Gold album. Later that year they had a top 40 R&B hit with "Ooh Poo Pah Doo".[59] Their next three singles to chart, "I'm Yours (Use Me Anyway You Wanna)", "Up In Heah" and "Early One Morning" all peaked at No. 47 on the R&B chart.[59]

In 1972, they opened Bolic Sound recording studio near their home in Inglewood.[76] After Liberty was absorbed into United Artists Records, they were assigned to that label.[77] Around this time, Turner began writing more songs. She wrote nine out of the ten tracks on their 1972 album Feel Good.[78] Their 1973 hit single "Nutbush City Limits" (No. 22 Pop, No. 11 R&B), penned by Turner, reached No. 1 in Austria, No. 4 in the UK and the top 5 in several other countries.[79] It was certified Silver by the BPI for selling a quarter of a million in the UK.[80] As a result of their success, they received the Golden European Record Award, the first ever given, for selling more than one million records of "Nutbush City Limits" in Europe.[81] Follow up hits include "Sweet Rhode Island Red" and "Sexy Ida" in 1974.[59]

In 1974, the duo released the Grammy-nominated album The Gospel According to Ike & Tina, which was nominated for Best Soul Gospel Performance.[51] Ike also received a solo nomination for his single "Father Alone" from the album.[82] Turner's first solo album, Tina Turns the Country On!, earned her a nomination for Best R&B Vocal Performance, Female.[83] That year, Turner filmed the rock opera Tommy in London.[84] She played the Acid Queen, a drug-addicted prostitute; her performance was critically acclaimed. Shortly after filming wrapped, Turner appeared on Ann-Margret's TV special.[85] Following the release of Tommy in 1975, another solo album by Turner was released titled Acid Queen.[86] The album reached No. 39 on the Billboard R&B chart. It produced charting singles "Baby, Get It On" and a cover of Led Zeppelin's "Whole Lotta Love".[87]

Demise of the duo: 1976

By the mid-1970s, Ike was heavily addicted to cocaine, which hindered his relationship with Turner.[88] In 1976, they headlined at the Waldorf Astoria New York and signed a television deal with CBS-TV.[89] Ike made plans to leave United Artists Records for a five-year deal with Cream Records for $150,000 per year; the deal was to be signed on July 5.[90] On July 1, the Turners flew from Los Angeles to Dallas, where the revue had a gig at the Dallas Statler Hilton. They got into a physical altercation en route to the hotel. Shortly after arriving at the hotel, Turner fled from Ike and later hid at a friend's house.[91] She filed for divorce on July 27, and it was finalized on March 29, 1978.[92][93] After their separation, United Artists released two more studio albums credited to the duo, Delilah's Power (1977) and Airwaves (1978).[30][37]

Tina Turner Ike & Tina Turner articles: 117

Solo career

Early solo career: 1976–1983

In 1976 and 1977, Turner earned income by appearing on TV shows such as The Hollywood Squares, Donny & Marie, The Sonny & Cher Show, and The Brady Bunch Hour.[94] As lawsuits were mounting for cancelled Ike & Tina Turner gigs,[95][96] Turner resumed touring to pay off her debts with finances given to her by United Artists executive Mike Stewart.[97] In 1977, Turner re-emerged with a sexier image and costumes created by Bob Mackie.[98] She headlined a series of cabaret shows at Caesars Palace in Las Vegas and then took her act to smaller venues in the United States.[99] Later that year, she embarked on her first solo concert tour in Australia.

In 1978, Turner released her third solo album, Rough, on United Artists with distribution in North America and Europe on EMI. That album, along with its 1979 follow-up, Love Explosion, which included a brief diversion to disco music, failed to chart, so United Artists Records and Turner parted ways.[100] Without the premise of a hit record, she continued performing and headlined her second tour, Wild Lady of Rock 'n' Roll.[101]

In 1979, Roger Davies agreed to manage Turner's career after seeing her perform at the Fairmont Hotel in San Francisco.[30] During the spring of 1979, Turner worked in Italy as a regular performer on the Rete 1 TV series Luna Park, hosted by Pippo Baudo and Heather Parisi.[102] Later that year, Turner controversially embarked on a 5-week tour of South Africa during the apartheid regime.[30] She later regretted the decision, stating that she was "naive about the politics in South Africa" at the time.[103]

In October 1981, Rod Stewart attended Turner's show at The Ritz in New York City and invited her to perform "Hot Legs" with him on Saturday Night Live.[104] In November, Turner opened for the Rolling Stones during their 1981 American Tour.[105] Turner's recording of the Temptations' "Ball of Confusion" for the UK production team BEF became a hit in European dance clubs in 1982.[106] She filmed a music video for "Ball of Confusion" that aired on then-fledgling music video channel MTV; this made her one of the first African American artists to gain airtime on the channel.[107]

Career resurgence and superstardom: 1983–2000

Turner performing at Drammen, Norway, in 1985

Until 1983, Turner was considered a nostalgia act, performing mostly at hotel ballrooms and clubs in the United States.[108] During her second stint at The Ritz, she signed with Capitol Records in 1983.[30] However, in 1982 she appeared on the album "Music of Quality and Distinction Volume 1" by B.E.F., a side project of Heaven 17 singing "Ball of Confusion". This led to further collaboration, and in November 1983, she released her cover of Al Green's "Let's Stay Together" which was produced by B.E.F. The record became a hit, reaching several European charts, including No. 6 in the UK.[109][110] The song peaked at No. 26 on the Billboard Hot 100, No. 1 on the Hot Dance Club Songs, and No. 3 Hot Black Singles.[111]

Following the single's surprise success, Capitol Records green-lighted a studio album. Turner had two weeks to record her Private Dancer album, which was released in May 1984.[108] It became an outstanding commercial success, peaking at No. 3 on the Billboard 200 and No. 2 in the United Kingdom.[112][113] Private Dancer was certified 5× Platinum in the United States,[114] and sold 10 million copies worldwide, becoming her most successful album.[115][116] Also in May 1984, Capitol issued the album's second single, "What's Love Got to Do with It";[117] the song had previously been recorded by the pop group Bucks Fizz.[118] Following the album's release, Turner joined Lionel Richie as the opening act on his tour.[108]

On September 1, 1984, Turner achieved her first and only No.1 on the Billboard Hot 100 with "What's Love Got to Do with It".[111] The follow-up singles "Better Be Good to Me" and "Private Dancer" were both U.S. top 10 hits.[119] Turner culminated her comeback when she won three Grammys at the 27th Annual Grammy Awards, including the Grammy Award for Record of the Year for "What's Love Got to Do with It".[51] In February 1985, she embarked on her second world tour to support the Private Dancer album. One show, filmed at Birmingham, England's NEC Arena, was later released on home video. During this time, she also contributed vocals to the USA for Africa benefit song "We Are the World".[27]

Turner's success continued when she traveled to Australia to star opposite Mel Gibson in the 1985 post-apocalyptic film Mad Max Beyond Thunderdome. The movie provided her with her first acting role in ten years; she portrayed the glamorous Aunty Entity, the ruler of Bartertown.[120] Upon release, critical response to her performance was generally positive.[121] The film was a global success, grossing more than $36 million in the United States.[122] Turner later received the NAACP Image Award for Outstanding Actress for her role in the film.[123] She recorded two songs for the film, "We Don't Need Another Hero (Thunderdome)" and "One of the Living"; both became hits with the latter winning her a Grammy Award for Best Female Rock Vocal Performance.[51] In July 1985, Turner performed at Live Aid alongside Mick Jagger.[124] Their performance shocked observers when Jagger ripped her skirt off.[125][13] Turner released a duet, "It's Only Love", with Bryan Adams.[126] It was nominated for a Grammy Award, and the music video won an MTV Video Music Award for Best Stage Performance.[127]

Turner on tour with special guest Eric Clapton, June 17, 1987, in Wembley Arena, England

In 1986, Turner released her sixth solo album, Break Every Rule, which reached No. 1 in four countries and sold over 5 million copies worldwide within its first year of release.[128] The album sold more than a million copies in the United States and Germany alone.[129][114] The album featured the singles "Typical Male", "Two People", "What You Get Is What You See ", and the Grammy-winning "Back Where You Started". Prior to the album's release, Turner published her autobiography I, Tina, which became a bestseller. That year, she received a star on the Hollywood Walk of Fame.[130] Her Break Every Rule World Tour, which began in March 1987 in Munich, Germany was the third highest-grossing tour by a female artist in North America that year.[131] In January 1988, Turner performed in front of approximately 180,000 at Maracanã Stadium in Rio de Janeiro, Brazil, setting a Guinness World Record at the time for the largest paying concert attendance for a solo artist.[9][132] Turner released the Tina Live in Europe album in April 1988, which won a Grammy Award for Best Female Rock Vocal Performance.[133] After taking time off following the end of the tour, she emerged with the Foreign Affair album in 1989. It reached No. 1 in eight countries, including in the UK (5× Platinum), her first number one album there. The album sold over 6 million copies worldwide and included the international hit single "The Best ".[134][135]

In 1990, Turner embarked on her Foreign Affair European Tour, which drew in nearly four million spectators—breaking the record for a European tour that was previously set by the Rolling Stones.[136] Turner released her first greatest hits compilation Simply the Best in October 1990, which sold 7 million copies worldwide.[137] The album is her biggest seller in the UK, where it's certified 8× Platinum with 2.1 million copies sold.[138]

[...] Private Dancer was the beginning of my success in England and basically Europe has been very supportive of my music. [...] [I am] not as big as Madonna [in the United States]. I'm as big as Madonna in Europe. I'm as big as, in some places [in Europe], as the Rolling Stones [sic].

—Turner reflecting on her European success, Larry King Live, 1997[139]

In 1991, Ike & Tina Turner were inducted into the Rock and Roll Hall of Fame.[140] Ike was incarcerated and Turner did not attend.[141] Turner stated through her publicist that she was taking a leave of absence following her tour and she felt "emotionally unequipped to return to the U.S. and respond to the night of celebration in the manner she would want."[142] Phil Spector accepted the award on their behalf.[143]

In 1993, the semi-autobiographical film What's Love Got to Do with It was released.[144] The film starred Angela Bassett as Tina Turner and Laurence Fishburne as Ike Turner; they received Best Actress and Best Actor Oscar nominations for their roles.[145] While she was not heavily involved in the film, Turner contributed to the soundtrack for What's Love Got to Do with It, re-recording old songs and several new songs. The single "I Don't Wanna Fight" from the soundtrack was a top 10 hit in the U.S. and UK.[146][147] Turner embarked on her What's Love? Tour in 1993, which visited primarily North America with a few shows in Australasia and Europe.

Turner returned to the studio in 1995, releasing "GoldenEye", which was written by Bono and the Edge of U2 for the James Bond film GoldenEye.[148] Turner released the Wildest Dreams album in 1996 accompanied by her "Wildest Dreams Tour". Before celebrating her 60th birthday, Turner released the dance-infused song "When the Heartache Is Over" in September 1999 as the leading single from her tenth and final solo album, Twenty Four Seven.[149] The success of the single and the following tour helped the album become certified Gold by the RIAA.[114] The Twenty Four Seven Tour was the highest-grossing tour of 2000, grossing over $120 million.[150] At a July 2000 concert in Zürich, Switzerland, Turner announced that she would retire at the end of the tour.[151]

Recent years: 2000–present

U.S. President George W. Bush congratulates Tina Turner during a reception for the Kennedy Center Honors in the East Room of the White House on December 4, 2005. From left, the other honorees are singer Tony Bennett, dancer Suzanne Farrell, actress Julie Harris, and actor Robert Redford.

In November 2004, Turner released All the Best, which debuted at No. 2 on the Billboard 200 albums chart in 2005, her highest charting album in the United States. The album went platinum in the U.S. three months after its release and reached platinum status in seven other countries, including the UK.

In December 2005, Turner was recognized by the Kennedy Center Honors at the John F. Kennedy Center for the Performing Arts in Washington, D.C. and was elected to join an elite group of entertainers.[152]

Turner made a public comeback in February 2008 at the Grammy Awards where she performed alongside Beyoncé.[153][154] In addition, she won a Grammy as a featured artist on River: The Joni Letters. In October 2008, Turner embarked on her first tour in nearly ten years with the Tina!: 50th Anniversary Tour.[155][156] In support of the tour, Turner released a greatest hits compilation. The tour was a huge success and became one of the best-selling tours of all time.[150] In 2009, Turner retired from performing.[8][2]

In April 2010, mainly due to an online campaign by fans of Rangers Football Club, Turner's 1989 hit, "The Best", returned to the UK singles chart, peaking at No. 9. This made Turner the first female recording artist in UK chart history to score top 40 hits in six consecutive decades (1960s–2010s).[157] In 2011, Beyond's second album Children – With Children United in Prayer followed and charted again in Switzerland. Turner promoted the album by performing on TV shows in Germany and Switzerland. In April 2013, Turner appeared on the cover of the German issue of Vogue magazine at the age of 73, becoming the oldest person to be featured on the cover of Vogue.[158] In February 2014, Parlophone Records released a new compilation titled Love Songs.[8]

Turner announced in December 2016 that she had been working on Tina, a musical based on her life story, in collaboration with Phyllida Lloyd and Stage Entertainment.[159] The show opened in London in April 2018 with Adrienne Warren in the lead role.[160] Warren reprised her role on Broadway in the fall of 2019.[161]

Turner received the 2018 Grammy Lifetime Achievement Award and her second memoir, My Love Story, was released in October 2018.[162][163] She came out of retirement in July 2020 to collaborate with Norwegian producer Kygo on a remix of "What's Love Got to Do with It".[3] With this release, she became the first artist to have a top 40 hit in seven consecutive decades in the UK.[164]

In 2020, Turner released her third book Happiness Becomes You: A Guide to Changing Your Life for Good. She co-wrote the book with American author Taro Gold and Swiss singer Regula Curti.[165] It was chosen by Amazon's editors as a Best Nonfiction book of 2020.[166] In 2021, Turner appeared in the documentary film Tina directed by Dan Lindsay and T.J. Martin.[167]

Tina Turner Solo career articles: 118